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                  <text>Tennessee Tech University Archives and Special Collections
Transcript of clip from Celebrating a Legacy – Virtual Discussion and Q&amp;A with the
Founders of the Leona Lusk Officer Black Cultural Center
Date: November 12, 2020
Time
Transcript
(h:min:sec)
00:00:01
Richard Fuqua: I think all of us were heavily involved with the—with NSBE
[National Society of Black Engineers]. And we would go to various conferences on
various campuses. And I just remember going to Vanderbilt and seeing all of the
resources that many of those students had and had access to. And I left there
thinking, “Why can’t we do that at Tech?” And then as we kind of went along and
saw how student organizations were supported at the time. We did see a
discrepancy—I saw a discrepancy of, of how funds were allocated for various
student groups. And that was for me the start of, of thinking about creating
something like that on campus.
John James: And to mirror Richard’s point, definitely there was a component of
we can bring a lot of African American and Black engineers to Tennessee Tech
University, part of NSBE, and potentially think about hosting some regional
conferences. So that started having the idea that wow, it’d be really good to have
Tennessee Tech see that there were a lot of other students that could contribute.
And I think there’s another part as relates specifically to the Black Cultural Center.
And this is going to be me passing the baton on to James because in many ways I
definitely give credit to James for the vision and stating it, a lot of that. Because to
be very candid, myself, James, and Richard, we would hang out a lot on the
weekends. A lot of students at the time—I don’t know what the dynamic is now, but
we actually stayed on campus a lot. And there wasn’t a whole lot to do. And there
was times when we started complaining about the lack of things to do. We started
doing different things. I would go play racquetball with James and I would go play
rugby. I even started taking up skydiving, that tells you how little there was to do.
And we started talking about like there’s no place for us. And we started talking
about it and complaining about it so much that eventually, to James’s credit, he said
“well let’s start doing something about this. Why don’t we see about having a place
for us to be able to express what we want and to do something.” So, I definitely
would like to have James start to weigh in because—he may not want to own up to
it, but I think a lot of his culture from Atlanta and the fact that you can do this and
that Blacks can have a place for their own—a lot of that came from James, too.
James Harris: Yeah, well, I appreciate that, John. I mean maybe it was part of
being from Atlanta. I think there were a lot of things in my mind going on. You
know that time period was a time of Spike Lee making Do the Right Thing and

�Transcript of Running through Time - 2
Public Enemy. The time where young Black people were being to see themselves in
media not as gangsters and hip-hop rappers, but just really as people who had a
voice. And so, I think that was part of what was going on through my head. I played
rugby for all of the five years I was at Tennessee Tech and had a lot of white
friends, they would invite you to the Kappa Sig house.
James: Yep.
Harris: Mansion! I mean it wasn’t like, you know, one bedroom, two bath. It was
upstairs, downstairs, basement, you know. And so, you know, you begin to wonder
like, individually as a human, why don’t I deserve to have a mansion? Like you
know, a nice refrigerator to go to, go into a big kitchen. And some Black students
got together and at one point we actually rented a house. I think it almost broke us
in renting a little two-bedroom house. But at some point we were trying to be selfsufficient and make that a reality. I think the other thing that was going through my
head is that we were sharing Little Africa, right. I mean so, I think Little Africa had
eight seats, nine, maybe twelve seats. And so, as somebody came in, someone
would get up so someone could sit down. And if a lady came in, you let her sit
down. And so, outside of being tired all of the time, it was like “why are all of us
sharing like eight seats?” And so, I think it became a question of value, as a last
point. So, you look at the student population of Tennessee Tech: roughly two
percent Black. A lot of the students were on athletic scholarships and were
producing value for the school but it seemed as though the school wasn’t really
sharing that value. Now, providing education and giving support for education is a
wonderful thing, but I just never was able to think that someone at the Kappa Sig
house who would call me to come over to help them study for their test, deserved
anything better than I deserved. And so, as Black students I think it was important
for us to say if nothing else we wanted equal treatment. And we never really
understood the politics and the financials of how a Kappa Sig house came to be, but
as students of a state university who were adding value to the school, it seems like a
room was not an outrageous request, to be honest with you.
00:05:00

Corey Prince: And hey, and James, you made reference to Little Africa. So there
are quite a few students I understand that are checking in and watching this, so you
may want to provide some clarity around what was that during that time?
Harris: Yeah, so when you came up from the steps from checking the P.O. boxes—
your mailbox—there were two sort of islands of seats. And the one on the right was
Little Africa. That’s where all the Black students would hang out. Homework was
done. I mean there were no cell phones back then really, so like you know—
James: That’s right.
Harris: --Bob’s looking for you, Johnny’s looking for you, did you get your
homework? People would leave things under the seat. It was like, it was the—it was
the only place we had. Literally. And it was cold in the winter when that door would

�Transcript of Running through Time - 3
open and the wind would blow in. But it, it was, it’s interesting to look back 30
years later and think, I don’t think we were ever told “that’s where Black people
stand,” but it just so happens that that’s where all the Black people would stand.
And so, I think the Black Cultural Center was birthed out of our need to have space
to think, do homework together, and to hold fraternity meetings, and to hold Black
Student Organization meetings. And eventually have some art and other things. And
so, yeah, yeah.
Prince: And so, and so, obviously I’m sure the people who are watching are
thinking that’s a big, that’s a big, sort of vision to have, right, to have as a student to
be like, hey, I need a place. So I’m just curious to know, walk us through what were
next steps? You guys had this experience at Vanderbilt. You saw it. And so now
you got to implement, or you got to figure out a way to make this happen. What was
the first thing that you guys did? Who did you talk to?
Harris: Before Richard and John jump in, I want to add a little color to that. Like,
we went to Vanderbilt’s Black Cultural Center and it’s an astonishing building. I
remember leaving that building saying “they have fish tanks!” Like, they have real
fish! Like, we were excited about the small things, you know, trash cans. We were
over the top. And that just goes to show you how, you know, where our minds were.
I’ll let Richard and John jump in on you know what was more of a context around
that, but.
Prince: Yeah, anybody, just your vision, like the vision, you thought about it, so
what did you do, what do you do next? You know, how’d you get it done?
Fuqua: I would, like I said, looking at—looking at it chronologically, I don’t know
if it was the next step, but certainly an important step was seeking assistance. And I
think certainly Marc Burnett, you know I mentioned him, he was one that if I recall
when we took the idea, that he was able to help us to map out you know how to do
this. You know, James talked about that there was a mini racial reckoning that was
happening during that time, and so you know we just thought that we’d tell the
world that Tech won’t play ball with us and they’ll give us money. Well, that didn’t
happen. So, we didn’t take that route. We actually talked with him and he said “ok,
how do we do this.” And I believe he was—he and us collectively talked about how
we—you know, we actually wrote a letter, we each three of us wrote a letter to Dr.
Volpe about you know what we thought was something that was needed on campus.
And we laid out what the benefits would be for that. And then if I recall, he was the
one who helped set up the initial meeting with Dr. Volpe to follow up that letter.
And so, Marc played an integral part in helping us to understand that there is a—
there are lots of ways to get stuff done, and I think for that, that situation this was
the way that we chose to move forward to get it done.
James: Yeah, one thing I would say is that it was—this is kind of what comes when
you have friendships that each of us can contribute a different part. So, often times
when we would get together—when I say “we,” I’m talking about James and

�Transcript of Running through Time - 4

00:10:00

Richard and others—we would be in dorm rooms over the weekend. And
sometimes—again, I’m just being straight—we would be complaining about
something not being there for us or that it was boring or something. And so, so that
helped give us the impetus. So, to your question Corey, I think James often had the
vision. To Richard’s credit, he had a lot of the organizational aspects of thinking
about, “Ok, if we’re going to do this we need to make sure we write letters.” And I
also think it helped that in some ways we were all—I’m going to use the word
active, it may not have felt like we were active, but we were all in different
organizations. So, Richard was doing a lot with the BSO and NSBE. I was doing a
lot with NSBE. James was doing a lot with NSBE. We were all in different
organizations. So the other piece to kind of helping make it happen was that it
wasn’t just the three of us. Because eventually we started talking to our different
organizations—the students—and saying “hey, we wanna do this.” You know,
we’ve gone to other places—Vanderbilt University—there’s this awakening that’s
resonate in James Harris from Atlanta. Just the fact that at times we would go to
NSBE conferences and see just how much they were underrepresenting. We can do
this, it would be good for Tennessee Tech, it would be good for the students, and
you know we’re just tired of not being represented. And getting other students on
board, and letting the administration know that it wasn’t just us—it was a student
led, group organization—that helped a lot. The sponsorship from Marc Burnett was
critical. And then even writing letters to Dr. Volpe. And at times, you know meeting
directly with Dr. Volpe and expressing you know here’s how it feels like for us in
our situation as students. Here’s why we want it. And it wasn’t just about money. It
was about how this could be a better student experience, and hopefully not just for
us but moving forward. And I think that helped. Frankly, it helped to develop
relationships with Dr. Volpe and others that I probably never would have—I mean I
didn’t intend to say, “Oh, I’m going to try to develop a relationship with the
president of the university.” But, perhaps in things that I’ll share later, it really
helped to have that interaction even though it was somewhat—I’m not going to say
contentious. We were pushing for changing the norm and helping to represent the
students. That was all part of the context. So, that’s some of the context I would put
it in.
Harris: Yeah, yeah, I’ll add a little more texture to that. I mean—we have to give
credit to Dr. Leo McGee who behind the scenes would come and encourage us and
say, “just keep pushing.” Pat Lenzo who was a counselor, was my hero. Feed me
when I couldn’t get lunch money. I mean, they were all encouraging. Dr. Carl
Owens who was in the Education department, behind the scenes was like “let me
know what you need.” So there were a lot of people—Dr. Philip Campana gave us
space in the Foreign Language Center. All those people were supporting what we
were doing. I will say—this may not be politically correct or what I call country
polite, but you know we had presented this to Hoyle Lawson as well. And he just,
he wasn’t having it. It wasn’t something that was going to be done at Tennessee
Tech. This is my personal opinion—I’m sure he’s a nice guy—I think he thought
that there was a structure and a order of students at Tennessee Tech and that what
we were asking for unreasonable. Which I thought was personally ridiculous.

�Transcript of Running through Time - 5
Richard, John, tell me if I’m wrong, but I thought Dr. Volpe had been in office
maybe a week and we were called into Dr. Volpe’s office.
James: Yep, that was right on.
Harris: And we walked into the President’s Office saying “we’re going home.”
And I think the funny part was, we were debating how we were going home. “Well,
I’m going to pack my bag and I’m going to—you know, Richard I could ride with
you.” Just all these things. And I will never forget we walked into Dr. Volpe’s
office and he said “You’re not going home and there will be a Black Culture Center.
Done.” And we were like, oh, ok. And he told us a story that has always been with
me. He said, “you know, when people see you all walking across campus, they
know you’re Black.” Now, another little side story: we were all dressed in like
African pants, African print pants—at least I was, you know. We had little dashikis
on. It was Black Power time. T-shirts that said “Proud Black Man, Proud Black
Woman.” So when he said that, I thought he meant that because of our clothing they
could tell we were Black, right. But what he finished saying was, “however, when
they see me walking across campus, they don’t know I’m Italian until they hear my
last name.” So he told us a story of his father in the Great Depression needing to
feed his family, and he would walk up and stay in line for hours to get to the
window. And it says “No Blacks, ’spics,” or whatever allowed. Or Irishmen
allowed, or something like that. And his father would have to come home to the
kids and say I don’t have any food for you. He said, “so I know what it’s like to be
discriminated against. I have the advantage of they can’t tell who I am until I open
my mouth and they hear my last name. So there will be a Black Culture Center. I’ll
deal with all of this. Y’all go back to your dorms and do what you need to do.” And
we walked out of the room. And there was a Black Culture Center.
Fuqua: That’s great.
Harris: So, I think it is—you know, it may not be politically correct, but there are
people, advocates, champions, who whether public or private make things happen. I
think that’s the lesson that I learned.
Fuqua: Yeah.

00:15:00

Harris: Also, I think it’s interesting that he had resolve. It wasn’t like “I’ve been
here a week and I think I can make it happen.” He said “Oh, it’s gonna happen.”
And it did. And so for those reasons, you have to—as students who are listening—
look for those champions. Look for those people who have courage and resolve.
Partner with them. And make things happen.
End of transcript.

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              <text>Transcript of a clip from the Celebrating a Legacy Zoom panel discussion on November 12, 2020. Richard Fuqua, John James, and James Harris describe their motivations to create a Black Cultural Center at Tennessee Tech and how they worked to implement their idea. Corey Prince moderates the discussion.&lt;br /&gt;&lt;br /&gt;The video recording is available here: &lt;a href="https://tntecharchives.omeka.net/items/show/257" target="_blank" rel="noreferrer noopener"&gt;https://tntecharchives.omeka.net/items/show/257&lt;/a&gt;</text>
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